About

Tawna y Óscar bring into dialogue ways of listening to how worlds persist and are remade. Their practices engage relations that remain material and active in the present, where knowledge circulates through use and return. The Tawna collective works with video as a relational practice shaped by Pan-Amazonian experience. In Llaki and Kawashima, image and sound operate alongside dreaming and ceramic making as technologies that sustain relations. Óscar Santillán explores technological and epistemic systems through their material limits. In works such as Antimundo, speculative environments merge scientific and computational imaginaries with bodies and matter, unsettling distinctions between the organic and the fabricated. Held together, these practices form a ground where worlds are negotiated.